Oil On Canvas, Real Flavor of Old Masters

All Dyck, Anthony van 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
19012  
Apostle Jude, Dyck, Anthony van
  		 Apostle Jude   1619-21 Art History Museum, Vienna
85367  
Caesar Alexander Scaglia, Dyck, Anthony van
  		 Caesar Alexander Scaglia   1634(1634) Medium Oil on canvas Dimensions 189 x 110 cm (74.4 x 43.3 in) cyf
23994  
Charles Iwith Monsieur de St Antoine (mk25), Dyck, Anthony van
  		 Charles Iwith Monsieur de St Antoine (mk25)   1633
23995  
Cupid and Psyche (mk25), Dyck, Anthony van
  		 Cupid and Psyche (mk25)   1639-40
51724  
Detail of the Rest on the Flight into Egypt, Dyck, Anthony van
  		 Detail of the Rest on the Flight into Egypt   nn09 c.1630 Oil on canvas 215x285.5cm
19014  
Family Portrait, Dyck, Anthony van
  		 Family Portrait   1621 oil on canvas The Hermitage, St. Petersburg
77701  
Gastons de Bourbon, Dyck, Anthony van
  		 Gastons de Bourbon   Date 1634(1634) Medium Deutsch: Öl auf Leinwand English: oil on canvas Français : huile sur toile cyf
19021  
Genoese Noblewoman with her Son, Dyck, Anthony van
  		 Genoese Noblewoman with her Son   1626 oil on canvas National Gallery of Art, Washington D.C.
19009  
Head of a Robber, Dyck, Anthony van
  		 Head of a Robber   1617-1618 oil on canvas Art History Museum, Vienna
85341  
James Hay, Dyck, Anthony van
  		 James Hay   oil on canvas 204.5 x 126 cm Date c. 1638 cyf
19017  
Lucas van Uffelen, Dyck, Anthony van
  		 Lucas van Uffelen   1622 oil on canvas Herzog-Anton-Ulrich-Museum, Braunchweig
19019  
Marchesa Cattaneo with a Servant, Dyck, Anthony van
  		 Marchesa Cattaneo with a Servant   1623 oil on canvas National Gallery of Art, Washington D.C.
80729  
Mary Stewart, Dyck, Anthony van
  		 Mary Stewart   ca. 1636(1636) Medium Oil cyf
77364  
mit Zwerg Sir Jeffrey Hudson, Dyck, Anthony van
  		 mit Zwerg Sir Jeffrey Hudson   1633(1633) Medium Oil on canvas Dimensions Deutsch: 220 ?? 135 cm cyf
19020  
Nicholas Lanier, Dyck, Anthony van
  		 Nicholas Lanier   1628 oil on canvas Art History Museum, Vienna
41330  
Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox, Dyck, Anthony van
  		 Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox   mk161 oil on canvas
97204  
Portrait of Maria Luiza Panasco, Dyck, Anthony van
  		 Portrait of Maria Luiza Panasco   circa 1843(1843) Medium oil on canvas Dimensions 81.6 X 65.2 cm cyf
41193  
Portrait of one Mr.Brignole, Dyck, Anthony van
  		 Portrait of one Mr.Brignole   mk157 1621-25 Oil on canvas 205x125cm
78636  
Portrait of Venetia, Lady Digby, Dyck, Anthony van
  		 Portrait of Venetia, Lady Digby   1633-1634 Medium Oil on canvas Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in) cyf
79633  
Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung, Dyck, Anthony van
  		 Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung   1622(1622) Medium Oil on canvas cyf
79219  
Portrat der Marchesa Balbi, Dyck, Anthony van
  		 Portrat der Marchesa Balbi   ca. 1625(1625) Medium Oil on canvas Dimensions 183 x 122 cm (72 x 48 in) cyf
82751  
Portrat Karl des I, Dyck, Anthony van
  		 Portrat Karl des I   1635-1636 Medium Oil on canvas Dimensions 85 x 100 cm cyf
83658  
Probably portrait of James II, Dyck, Anthony van
  		 Probably portrait of James II   Oil on panel Öl auf Holz Dimensions 31 x 26 cm (12.2 x 10.2 in) cyf
82825  
Selbstportrat als Paris, Dyck, Anthony van
  		 Selbstportrat als Paris   1628 Medium Oil on canvas Dimensions 96 x 84 cm (37.8 x 33.1 in) cyf
19018  
Self-Portrait, Dyck, Anthony van
  		 Self-Portrait   Approx. 1622 oil on canvas The Hermitage, St. Petersburg
19013  
Susanna Fourment and her Daughter, Dyck, Anthony van
  		 Susanna Fourment and her Daughter   1620-21 oil on canvas National Gallery of Art, Washington D.C.
24268  
The Five Eldest Children of Charles I (mk25), Dyck, Anthony van
  		 The Five Eldest Children of Charles I (mk25)   1637
19015  
The Genoese Senator, Dyck, Anthony van
  		 The Genoese Senator   1621-23 oil on canvas Gemäldegalerie, Berlin
19016  
The Genoese Senator's Wife, Dyck, Anthony van
  		 The Genoese Senator's Wife   1621-23 oil on canvas Gemäldegalerie, Berlin
24251  
The Greate Peece (mk25, Dyck, Anthony van
  		 The Greate Peece (mk25   1632
19011  
The Lamentation, Dyck, Anthony van
  		 The Lamentation   1618-20 oil on canvas Art History Museum, Vienna
19008  
The Penitent Apostle Peter, Dyck, Anthony van
  		 The Penitent Apostle Peter   1617-18 oil on panel The Hermitage, St. Petersburg
24266  
The Three Eldest Children of Charles I (mk25), Dyck, Anthony van
  		 The Three Eldest Children of Charles I (mk25)   1635
23996  
Thomas Killigrew and William (mk25), Dyck, Anthony van
  		 Thomas Killigrew and William (mk25)   Lord Crofts 1638
19010  
Young Woman with a Child, Dyck, Anthony van
  		 Young Woman with a Child   1618 oil on panel The Hermitage, St. Petersburg
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,



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